Nor did it stop the newly independent Bangladesh from choosing one of Tagore’s songs – the “Amar Sonar Bangla” which means “my golden Bengal” – as its national anthem. But whatever wisdom there might be in Akhmatova’s invoking of Hinduism and the Ganges, it did not prevent the largely Muslim citizens of Bangladesh from having a deep sense of identity with Tagore and his ideas. Rabindranath did come from a Hindu family – one of the landed gentry who owned estates mostly in what is now Bangladesh. Even Anna Akhmatova, one of Tagore’s few later admirers (who translated his poems into Russian in the mid-1960s), talks of “that mighty flow of poetry which takes its strength from Hinduism as from the Ganges, and is called Rabindranath Tagore.”Īn air of mysticism. Graham Greene had, in fact, gone on to explain that he associated Tagore “with what Chesterton calls ‘the bright pebbly eyes’ of the Theosophists.” Certainly, an air of mysticism played some part in the “selling” of Rabindranath Tagore to the West by Yeats, Ezra Pound, and his other early champions. The contrast between Tagore’s commanding presence in Bengali literature and culture, and his near-total eclipse in the rest of the world, is perhaps less interesting than the distinction between the view of Tagore as a deeply relevant and many-sided contemporary thinker in Bangladesh and India, and his image in the West as a repetitive and remote spiritualist. Yeats can still take his poems very seriously.” The mystic But he is not much read now in the West, and already by 1937, Graham Greene was able to say: “As for Rabindranath Tagore, I cannot believe that anyone but Mr. Gitanjali, a selection of his poetry for which he was awarded the Nobel Prize in Literature in 1913, was published in English translation in London in March of that year, and had been reprinted ten times by November, when the award was announced. The enthusiasm with which his work was once greeted was quite remarkable.

In contrast, in the rest of the world, especially in Europe and America, the excitement that Tagore’s writings created in the early years of the twentieth century has largely vanished. His poetry as well as his novels, short stories, and essays are very widely read, and the songs he composed reverberate around the eastern part of India and throughout Bangladesh. Anyone who becomes familiar with this large and flourishing tradition will be impressed by the power of Tagore’s presence in Bangladesh and in India. Rabindranath Tagore, who died in 1941 at the age of eighty, is a towering figure in the millennium-old literature of Bengal.

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